Performance
My mom put me into a dance class when I was three and I haven’t stopped performing since. Whether it was my starring role in my second grade play, The Tiger, the Brahman, and the Jackal, or originating a role in a show written for my classmates and me at NYU, the theatre has always been a safe space for me.
photo by Walls Trimble
Christmas Eve in Avenue Q at Carroll Community College
directed by Steven Carpenter, music direction by Rebecca Bell-Echols, and choreography by Christopher Cunningham
photos by Stasia Steuart Photography
Otto Lammermeir in Spring Awakening at The Lee Strasberg Theatre and Film Institute
directed by Sam Barkley and Theresa Burns, choreography by Theresa Burns, and music direction by Bruce Baumer
photos by Marcus Middtleton Photography
Creating New Work
While attending NYU, I had the privilege of originating roles in new works on a number of separate occasions. I have a passion for the creation of new theatre, and I love the challenge of being able to find the show through close collaborations between performers, writers, and directors.
photo by Hunter Canning
Courtney/Isaac in The Great Lonely Roamer and the Night that Changed Everything at NYU Tisch School of the Arts
Gone Person in Iron John at NYU Tisch’s New Studio on Broadway in collaboration with NYU Tisch Graduate Musical Theatre Writing
directed by Kent Thompson
choreography by Byron Easley
music and book by Jacinthe Greywoode
lyrics and book by Rebecca Hart
Terry Frank in We Are Not Well at The Lee Strasberg Theatre and Film Institute in the Practicum Program with NYU Tisch
directed by Olivia Songer, written by Trish Harnetiaux, with music by Riley Thomas, and choreography by Liza Birkenmeier
photos by Walls Trimble
Costumes
While at NYU I had numerous opportunities to take classes that were strictly involved in costume design, including dress history, wardrobe, hair, and makeup classes. I also had the opportunity to work in the wardrobe department for a few shows. I had the privilege of having excellent, world class professors including Therese Bruck, Hilary Rosenfeld, and Sydney Maresca. Through my education, I have developed a deep love for the attention to detail clothing can add to the visual narrative of a play or film.
photo of the full original company of The Mollyhouse at NYU Tisch School of the Arts
